Ben Faber

Darren Dyck, in Will & Love: Shakespeare and the Motion of the Soul, takes the turn to religion in a different direction by demonstrating how the medieval mode of theological romance in Dante, Petrarch, and Chaucer provides the interpretive key to Shakespeare’s preoccupation with the volitional motion of love. By “theological romance,” Dyck means the…

David Anonby also begins Shakespeare on Salvation: Crossing the Reformation Divide with a reasoned defense for his engagement with religion in Shakespeare, invoking some of the same scholars that Oser does in his introduction. Anonby describes those in the turn to religion who have challenged the “secularizing narrative of the theater” (4), before turning to…

Editor's Note: Due to an earlier failure of the e-mail distribution of this three-part post, we are reposting it over the next three days.   It has been approximately twenty-five years since the “turn to religion” in Shakespeare studies. When I informally polled a few colleagues in history, psychology, and social work about a turn to…