It seems fitting that this special CSR issue on intersections between “faith and film” should coincide with the fiftieth anniversary of Walker Percy’s first novel, The Moviegoer. Ever since Percy, a strange brew of Southerner, Catholic, existentialist, self-trained semiotician, and non-practicing MD, won the National Book Award for his 1961 novel about a 30-year-old stockbroker’s…
S. Bradley ShawJuly 15, 2011
