Articles

Gary A. Anderson, professor of Old Testament/Hebrew Bible in the Department ofTheology at Notre Dame, argues that sin has a history. He uncovers this history in the shifting metaphors for sin found in the Bible, Aramaic texts of the Second Temple period, early rabbinic Judaism, and the Church Fathers. Sin, as a concept, has evolved.…

The November, 2009 Christianity Today webinar featuring Christian Smith discussing his most recent book provided a rich example of his argument. In this session Smith discussed the content and implications of his findings thoughtfully and articulately while online participants watched, listened and had the opportunity to post real-time questions that showed up in a sidebar…

In spite of the apparent benefits of recent and predicted advances in medical science which promise to enhance human well-being and extend life, many people experience a vague uneasiness about a brave new world where disease, suffering, and finitude in general might be vanquished. If we can replace limbs, repair organs, cure cancers, and even…

Although Christian ethics masquerades sometimes as a discrete discipline, it is understood better as an ambitious multidisciplinary enterprise, requiring knowledge of (at the very least) biblical studies, theology, philosophy, and the social sciences. Dennis P. Hollinger ’s The Meaning of Sex draws on material from across all these fields as he articulates and defends the…

In 1954 Aldous Huxley published Doors of Perception, an account of his mescaline-induced mystical experience. R. C. Zaehner responded to the wave of experimentation Huxley provoked with Mysticism Sacred and Profane: An Inquiry into Some Varieties of Praeternatural Experience, a book that drew fine distinctions between categories that Huxley had neglected to address. In the…

Billed as the first full-scale exploration of theatre and theology, Performing the Sacred: Theology and Theatre in Dialogue by Todd E. Johnson and Dale Savidge endeavors to find anexus between the previously distinct worlds in which both of the authors participate. Johnson, the theologian, and Savidge, the theatre practitioner, desire to create a new form…