Katie Kresser

Do buildings push your buttons? How does it feel to walk down a city street and feel gleaming glass rising on either side? What about towers of stone, casting long, dark shadows? How does it feel to see spires of commerce (think New York’s Chrysler building) rising like space-age cathedrals against a vast, blue sky?…

Everything is compromised. Nothing is worthy. Strip it down, strip it down. Take off the sugar-coating, the veneer, the gilding, the velour, and what is left? Nothing. Emptiness. Posing, pretending, preening, delusion.  Those of us who love – truly love – sometimes feel like the prey of shadowy hunters. We are huddled together for safety…

I’ve been teaching college students for almost 16 years. Make that 20 years, if you count teaching assistantships in graduate school! This vocation has had its ups and downs, along with ever-shifting dynamics. When I began, for example, I was almost the same age as my students. Now, I’m old enough to be their mom.…

As we celebrate the New Year, we commemorate the passage of the old. In the mass media, this comes in the form of top ten lists and “in memoriam” montages. In folk imagery, it is symbolized by Father Time with his sickle. (He even appears in Rudolph’s Shiny New Year.) Though often comical in recent…

Fra Angelico, The Nativity, Basilica di San Marco, Florence, 1441, https://www.wikiart.org/en/fra-angelico/nativity-1441 It is very difficult, today, for the ordinary, defensive and suspicious human being to understand Christ’s radical vulnerability, from his conception to his death on a cross. However, the mysterious Fra Angelico (literally, “the Angelic Friar”), a Renaissance painter who also happened to be a renowned…

Icon of the Visitation https://fineartamerica.com/featured/the-visitation-icon-samuel-epperly.html Pantokrator icon https://en.wikipedia.org/wiki/Christ_Pantocrator_(Sinai)#/media/File:Spas_vsederzhitel_sinay.jpg Among all the manifestations of Christ’s church, the Eastern Orthodox tradition has been the most gifted in the realm of visual symbolism. Beginning in the early centuries after Christ, Eastern iconographers crystallized doctrinal truths into pithy visual form. The Pantokrator icon (meaning “Ruler of All”), set the template…

Simone Martini, The Annunciation with Sts. Margaret and Ansanus, early 14th c., Uffizi Gallery, https://www.uffizi.it/en/artworks/annunciation-with-st-margaret-and-st-ansanus Also, Henry Ossawa Tanner, The Annunciation, Philadelphia Museum of Art, 1898, https://philamuseum.org/collection/object/104384 From the beginning of time, there were whispers. There was rumor even at the Fall, at the cracking of the world, when the face of God was hidden and the great rifting began. But…

(Choirs of Angels, Scivias I.6, https://arthistoryproject.com/artists/hildegard-von-bingen/scivias-i.6-the-choirs-of-angels/) Among medieval Catholic saints (think Catherine of Siena, Anthony of Padua or Joan of Arc), Hildegard of Bingen is one of the most palatable to modern tastes. She was not prone to shocking self-mortifications; she was not embroiled in muddy political disputes; and she has not been subjected to…

In 1863, five years before his death at age 86, the French painter J-A-D Ingres completed a small, jewel-like canvas he titled The Golden Age. It is a gentle, luxuriant fantasy, this little picture. Blue mountains rise in the distance, and the air seems hung with gilded mist. The afternoon light burnishes green trees to…

Among the modern artists my students resonate with most are the German Expressionists who worked mainly in the years just preceding and including the First World War. Something about their frank, garish and often gruesome work feels honest. With its jagged lines and dark narratives, it doesn’t sugar-coat or lie. It’s jarringly autobiographical, shamelessly confessional.…

Whatever rises must fall. Birds return to the forests of their birth, and salmon to the place of their spawning. Elephants (mythically) and humans, too, try to go home to die. Much of Creation is departure and return – but return in a different light. It is return, perhaps, with new maturity. Or return with…

Editor's Note: Due to an early morning link problem with the e-mail sent Thursday, we are resending Katie Kressar's post Friday, July 23rd as well.  In addition, the Christ Animating Learning Blog will take a one week vacation next week. We will return on August 2nd.  Thanks, PLG Like many academics, I’m a small-town kid…

Michelangelo Merisi da Caravaggio (usually just called Caravaggio) was always hiding. He left his family home at age 13, an orphan hiding from sorrow. At 21 he wounded a police officer and fled his hometown of Milan, hiding from the law. In his twenties and early thirties he spent most of his time skulking in…

On this day, we remember the unjust murder of an innocent man. And he wasn’t innocent in just a legal way, or even a “religious commandment” sort of way. He was innocent in a child way, an infant way.  Though a grown man, with a man’s strength and a great scholar’s mind (of course he…

We know ourselves by what is reflected back at us. We see ourselves in the reactions, labels and facial expressions of others. In fact (oh, what danger!) this is primarily how we know ourselves. In a very real sense, we are always naked and helpless before others’ eyes. We depend on them for meaning, for…

In 1505, the Renaissance artist Raphael Sanzio lavished his skill on a subject rather out-of-date: the legendary dragon slayer St. George, an early Christian saint generally associated with the martial and chivalric spirit of the Crusades. In his large painting of the subject at the National Gallery of Art in Washington D.C., the holy warrior…

It’s Ash Wednesday, a time of repentance, and I’m put in mind of an artist of sorrow. Rogier van der Weyden, a 15th-century Netherlandish genius, was known for many things (including an audacious portrait of himself as a saint), See https://collections.mfa.org/objects/31035  but his paintings of Christ’s death are his most profound. They are almost unrivaled…